Dec 9, 2016

Contextual studies - Review

Mr Robot is an American drama-thriller that premiered on USA Network June 24, 2015, created by Sam Esmail. In the series we follow Elliot Alderson, played by Rami Malek, a young programmer working as a cyber-security engineer by day and hacker by night.

Mr. Robot - Trailer from nobody on Vimeo.


The opening first episode starts with a V.O-sequense on black screen of someone talking to an imaginary person. It then cuts to a group of people, still V.O, and then a close up showing half of Elliot's face, revealing that it was his voice we heard.


Elliot works as a security engineer at the cyber security company Allsafe. He's constantly suffering from social anxiety disorder, clinical depression and dissociative identity, having his thought process heavily influenced by paranoia and delusion. Elliot connects to people by hacking them, including his co-workers, therapist and drug-dealer. One day he is being recruited by a guy called 'Mr Robot', the leader of a hacker group called 'fsociety' who plans to make a digital revolution by deleting all debt records.

The series takes place in modern time New York City, film locations including Silvercup Studios, Coney Island and Times Square. Everything is made quite dark, but at the same time as realistic as possible, from the offices where they're working in, the clothes they're wearing to the software and the hacking itself. In the making of the series Esmail consulted experts and real hackers to be able to give a realistic picture of hacking activities.

The cinematography in Mr Robot is very interesting as Tod Campbell (dop) does not follow the "normal" rules of framing, but instead uses different techniques to evoke the characters feeling of anxiety and marginalization in a society that is very robot/machine-like.
In the series the characters are often placed at the very bottom of the frame, which leaves them with a lot of headroom which echoes their isolation, making them small, powerless and suggests the great weight hanging over their head. Campbell also chose to do a lot of of-kilter angles to represent the way Elliot views the world and using "shortsighting", positioning the character's faces at the edge of the frame closest to the person they're talking to to make them seem more alone.
According to Campbell, Elliot's eyes had a big influence on which lenses he decided to use. Since Elliot has such big eyes he decided to use Cooke S5s which rounder than other lenses and accentuate curves, helping to sculpt the face a bit more.

The sound design in the series is very  good and well implemented. There are subtle sounds which you don't realise you're hearing until it stops and electronic score which underlines a dark, paranoid and tense mood. Both of these brings the audience into the dark mindset of the main character Elliot in a remarkable way.

Sam Esmail took a lot of inspiration for the series from other films and series such as 'Fight Club', 'Taxi Driver', 'The Matrix', 'A Clockwork Orange' and 'V for Vendetta', but he takes the portrait of cyber-crime, corporate power and anarchist hackers into new, unexpected directions. According to Esmail most of the inspiration for the main character Elliot, together with some ideas for the plot, came from 'Fight Club'. In episode 9 in season 1 when Elliot initiates the hack Sam Esmail decided to ply the song "Where is my mind". That is the same song that David Fincher used to underscore the climax of 'Fight Club' and is in Mr Robot intended as a message to the audience to make them aware of the inspiration they took from the film.

The reason why I like the series is both because I find the cinematography "new" and interesting and because I find the story very well written. The series is very relevant as people only becomes more and more aware of how much power small, rich groups in the society have together with how the fear of hacking only becomes bigger and bigger. I also like how realistic the series are. It's not based on the writer's fantasy. The programs and the tech-talk are real and the problems Elliot encounter while hacking is realistic. It's one of those rare shows that treats its audience with intelligence and respect, and even when the writers gives away a long awaited answer, they never pretend that the solution is everything.




//Source material and images\\



Dec 2, 2016

Storytelling unit - Project evaluation

In this unit I worked mostly independent with both developing of idea, research, planning and editing. I got 2 classmates to help out as crew when filming cause I wanted to be able to just focusing on directing and the camerawork on set. I'm very grateful for the lectures, feedback and workshop as it was of great help making me more prepared for the shoot and post production.

The actors I used for my project were Jerry Anderson and Andro Coperthwaite, both found trough the process of Casrting call pro. Both the actors were experienced and great to work with. Jerry, being an actor for over 30 years doing both shorts and feature films, were of great help on the set asking critical questions about his character Malcolm Caine and the characters relationship which I hadn't been thinking about. Andro who has recently graduated from Drama Centre London and is now working freelance as an actor and singer song writer were quick to adapt changes and did a fantastic job in the role as Rob Wescott.

The locations used were Tankerton Beach which I got film permission through Kent Film Office and Little Medway Townhouse B&B which I got through contacts. I budgeted the film to 150£ to cover actor's travel, food and location, but ended up going bellow the budget (spending 107£) mostly because I got both the locations for free.



The shoot went very smooth as everything went according to plan, no bugs with the equipment, locations were sorted and the actors turned up on time, both well prepared, knowing all their lines. We therefore finished before scheduled time both of the days and were able to shoot all the scenes that were planned. If I were to name anything that didn't go as plan it must be the fact that it was raining in the beginning when we were filming on the beach. Other than that everything went great!

I found this project both fun and challenging. I had an idea of how the script were going to be from the beginning and and the story itself didn't change much, even tho the Rob-character changed quite a lot and I got rid of a third character and location. I'm very happy that I already had a bit of experience with filmmaking before this project as I therefore started the planning early as the process of finding actors, locations, writing storyboard etc is nothing new for me and I've already learned the hard way how time consuming those processes can be.

Overall I'm very happy with the project and my work this unit. I've learned a great deal about camera work and ways of editing and colour correcting that I didn't know before. I also feel that I have developed my skills in screenwriting as the feedback I got was very helpful.

ASHORE - Trailer

ASHORE Final from Trine Hagan on Vimeo.

Dec 1, 2016

Storytelling unit - Script feedback

A while ago we had our feedback session with Steve Coombes where he gave us a script report on the story, structure, action and dialogue, each of the paragraphs giving constructive critique to change and improve the script.

It wasn't the biggest modifications to be done as most of the feedback were quite positive, but a couple of things needed to be changed up a bit. What Coombes pointed out the most was my habit of writing past the end of the scene and to repeat without meaning to, as well as getting rid of my "info-dumps" (show not tell).



My final script ended up not being changed that much,  mostly because i prioritised the trailer over rewriting the script and therefore didn't have time to properly rewrite the script, and because I already had made a lot of changes from my original idea before the first hand in (as the character change of "Rob Wescott" changing him from being a child to a young man, getting rid of the scenes with him mom and their apartment etc) as I had rewritten my script 3 times before the first hand in.

Changes I made to my script after the feedback:
- Tightening the dialogue
- Adding some more scenes to make it clearer that time has passed
- Tough up of the scene headings
- Making the link between the picture of the daughter and the beach more visible
- Changing the order of some of the dialogue making the audience learn more about Rob at an earlier stage in the script.
- Managing and fixing typo's
- Making the "info dumps" less "info dumps"

Link to first hand in draft
Link to final draft
Link to trailer draft