Apr 30, 2017

Documentary - First week of shooting complete

We’ve now finished our first week of filming and have done what we’ll be filming in the UK (the intro, different travelling sequences and the interviews with the Holocaust survivors and David Glenwright). The filming has gone very well with only minor problems, delays cause of traffic, batteries dying while filming an interview etc, but we've been well prepared for all the problems we've met so far having 2 extra, fully charged batteries for each camera, extra batteries for all the lights and zoom, pluss extra memory cards in case the one's we've been using gets full. 

I'm so happy we did all the testing that we did beforehand of the shoot, both the interview set-ups with 3 cameras and the driving sequence in the car since it made us a lot more effective and prepared for the actual shoot.

Our set up with the three cameras are working well, making the filming a lot more effective since we don’t need to spend a lot of time getting extra coverage after the interview, just a couple of close ups here and the which can be done while the rest of the group is de-rigging. Although it makes the filming more effective there is a downside which is the fact that it makes it harder to light. We have therefore been using more of the lighting kit than I originally thought we would and will also be bringing an extra reflector when we're going to Germany. 




We’re now preparing for going to Berlin, leaving 3am in the morning tomorrow. We’ve finished the paperwork, (risk assessments, records on myuca, different clearances, tickets, car rental etc) and are more or less ready to go. Doing some last preparations and decisions on wthat we’re using so we which equipment to take with us since we’re quite limited when it comes to what we can take with us abroad. We’re going to take a maximum of 4 lenses with us for the 3 cameras we’re using and are also swapping some of the tripods and use lighter ones. The reflectors we're using are 5-in-1multi-disc reflectors (translucent, silver, gold, white (defuser) and black). They're small, compact and makes it easier for us to make use of all the light that we've got at the different locations where we'll be filming. When packing the sound kit we realised that the boom pole is too long to fit in the suitcase and we really need it for the VOX at the Memorial in Berlin since we can't use only clip mics there. After some thinking Gavin came up with a brilliant idea which is to use the stands for the LED lights instead. So that's what we'll do! 




Apr 25, 2017

Documentary - First day of shooting, 'Are we Numb?'

Today was our first day of shooting. We started at Kamran’s, our presenter, house where we filmed a short sequence and recorded most of the voice over for the documentary since this was probably one of the most quiet locations we’re going to have for a while. After that we drove in to London to film the intro for the documentary and some GV’s. 

We have 3 cameras available for when we're filming, but decided to use one when we were filming in Kamran's house since we were only filming a lot of short clips of Kamran on his computer to use in a voice over sequence in the documentary. When going to London we used 2 cameras, one focusing on Kamran and doing his PTC while the other camera was focusing on doing most of the GV's. 

The day went very well although we ended up being 30 min over the schedule. Kamran was lovely to work with and the crew were very effective. George started on Camera the first part of the day whie Simon were writing a camera logg. Later when we got to London Simon was the main camera operator while George mainly were focusing on taking GV’s.

Tomorrow we’ll be heading back to London to talk to the holocaust survivors, and on thursday we’ll have a break to logg the footage and prepare for friday when we’ll be going to Birmingham to talk to the social Media expert. I look forward to the upcoming filming days and to see the documentary slowly coming to life. 

Apr 24, 2017

Documentary - ready to shoot

Today we finished our script and got full green light from Helen to go filming. Helen gave us a lot of good feedback and helped making the script more personal and "snappy", and at the same time not as rushed. We dropped the plan about finding a new museum in the UK l since it will take up a lot of time both filming wise and in the edit. In the UK we'll now be filming the intro sequence with our presenter, 3 holocaust survivors, the social media expert and some bits of the travel to Berlin. In berlin we'll have VOX at the Holocaust Memorial (aproximately 5 people) and interview Shahak Shapira and the director at the Jewish Museum. 


I’m very happy with how the script has turned out and the people we've gotten hold of for the documentary. I feel it has the potential to be an interesting documentary and that it's something I could see on BBC3. 


We also picked up all of our equipment, paid for the car we'll use in Berlin and had a meeting with our presenter, Kamran, talking about the filming we'll be doing tomorrow and planning the rest of the week. I’m looking forward to work on the project with Kamran as he seems to be a lovely guy and really interested in the project. 


The equipment we'll be using:


Apr 19, 2017

Documentary - Script update

Yesterday we finished a new draft of the script. I have been working on the script since our last meeting with Helen and presented it to the rest of the group by a facebook meeting. We went through the script and looked at the changes I had made. 

We listened to what Helen said in our last meeting about getting rid of some of the people since we're interviewing too many. We decided to get rid of the VOX in London since that would get rid of around 5 people. We're also in the middle of a debate whether we'll have the museum in the UK since the Imperial War Museum dropped us and we're unsure whether we should get another one this close to shooting or if we should drop it and focus more on the interviews that we already have. 


After we were done discussing the script we took a break before discussing the schedule that Gavin had made and starting to plan how to get to some of the different locations (whether we’ll rely on driving or trains) since we’ll start filming next week. 

Today we had another meeting to discuss the questions for the different interviews that Simon and George had been working on and deciding who does which part of the shotlist since we all wanted to work on it. We decided to devide it into 4 parts- Gavin doing the beginning, George and me doing the middle and Simon doing the end. 

 

Apr 12, 2017

Documentary - The Only Way Is Essex

'The Only Way Is Essex' (TOWIE) (ITV2, 2010-) is a constructed reality show based in Essex in England and was originally pitched as 'Big Brother without the walls'. The series was inspired by shows like 'The Hills' and 'Jersey Shore' and has proved to become hugely popular. In 2011 it won the YouTube Audience Award at the BAFTAs. Other british shows soon followed with similar consepts, such as 'Made in Chelsea', 'Geordie Shore' and 'The Valleys'.

TOWIE is a cross between documentary, soap and reality show. The people in the show are all real, but some of the stuff they do has been set up purely for the viewers entertainment. The show shows the lives of people who live in Essex and what they get up to on a daily basis. Part of the reason why the show became such a huge success is because, just like most other constructed reality show, it gives the viewer a glimpse in to a little known community that appears unfamiliar, glamorous and quite absurd to outsiders. It shows tasteless night clubs, nail bars, big hair, parties, a very self obsessed cast covered in fake tans and introducing new phrases to the English language, such as "reem" (desireable), "wel jel" (well jealous) and "sick" (good/cool).


The show follows 9 main characters, all of them are rich, having expensive life styles and works as glamour model, night club manager, fashion worker, singer etc. You see them at their home, work, with family and friends. there is no actual interviewer in the show. The questions getting asked is by the different characters in the show.

TOWIE has been criticised for its negative and stereotypical representation. The show only shows the viewers how one class of Essex people live. It shows us their personal experiences and what happens in their lives, which is real, but it's not based on real life facts.

TOWIE is both performative and observational:
- There are no interviews through the series.
- You never see any equipment, crew or director.
- There is no V.O apart from the very beginning.
- The subjects pretend that they are being filmed (performative)
- The audience is dressed in an emotional and direct way
- The subject matter is about their identity more than actual facts
- It isn't interactive because there is no interviewer

The Only Way is Essex follows peoples lives, yet you know that the characters aren't acting 100% naturally because of the cameras. Although it is classed part documentary you don't find real facts, you just find out information about the way certain people that live in a certain place.

Even though I do find TOWIE a quite watchable I would not class it as a documentary because of the lack on the factual aspect of the series.




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Apr 11, 2017

Documentary - Michael Moore

Michael Francis Moore is an American documentary filmmaker and author, born in Flint, Michigan 1954. He studied journalism at the University of Michigan-Flint. He began his journalistic career writing for the school newspaper "The Michigan Times", but dropped out of college and worked a short time as the editor for "Mother Jones".

After 4 months at "Mother Jones" Moore was fired. According to Matt Labash, The Weekly Standard, it was because he refused to print an article by Paul Berman that was critical of the Sandinista human rights record in Nicaragua. Moore didn't want to run the article because he believed it to be inaccurate. "The article was flatly wrong and the worst kind of patronising bullshit. You would scarcely know from it that the U.S had been at war with Nicaragua for the last five years.  Though Moore believes the reason was because of the publisher's refusal to allow him to cover a story on the GM plant closings in his hometown of Flint, Michigan.


Moore then turned to filmmaking. His first film was "Roger & Me" (1989), a feature-length documentary about the closure of General Motors' plant in Flint, Michigan, which resulted in the loss of 30 000 jobs. The same case that he believed he was fired for at "Mother Jones". To get the budget for the documentary Moore ran bingo games in the neighbourhood. The success of the film made him one of Americas best known and most controversial documentary filmmakers.

Moore has later on produced a lot of documentary films and TV series, criticising topics such as globalisation, large corporations, assault weapon ownership, U.S. Presidents Bill Clinton, George W. Bush and Donald Trump, the Iraq War, the American health care system and capitalism. His first hit was "Bowling for Columbine" (2002) where he investigated the gun policy in America and showed the bad points of the right to bear arms. The documentary earned him an Oscar and boosted his reputation as a documentary filmmaker. In 2004 he made an ever bigger hit "Fahrenheit" 9/11 where he made fun of George W. Bush. This documentary is the highest grossing documentary of all time.


As well as making documentaries Moore has also written and starred in the TV show "TV Nation", a satirical news magazine television series, and "The Awful Truth", a satirical show. As well as the TV Shows Moore has written and co-written 8 non-fictional books, e.g "Stupid White Men" (2001) and "Dude, Where's My Country?" (2003), mostly on similar subjects to his documentaries.

Moore is well known for having the guts to give his opinion in public, and for that he's respected by many and has earned the number 1 spot on IMDB's list of The Top 10 greatest Documentary Directors of All Time. He was also named one of the world's 100 most influential people by Time magazine in 2005.

Moore both writes and directs most of his documentaries as well as taking the role of the "reporter". He's a very unlikely political figure with his glasses, cap and baggy jeans. His style seems to be hurling himself into major issues with wit and humour, hoping his energy capture public opinion. He believes strongly in the common man's stand against the State.

In his documentaries, there's a lot of handheld footage and you can sometimes see over exposed, extremely shaky images in the film. That underlines the actuality and the fact that it's not staged. That's most likely the only shot they got and therefore they're using it. I like how truthful he is in his documentaries. He asks the questions he wants to be answered no matter what they are and states his opinion, not caring what other people think. For that, I find him very inspiring both as a journalist and documentary filmmaker.

When planning our pitch for the documentary we had to decide on which style we wanted to use and how we'd like to present it. We sat down as a group and looked at BBC 3 documentaries to see what style they usually went for. We looked at different documentaries and realised that they often go for expository documentaries where the aim is to inform or to show and tell a story, often by using "voice of God" - having a narration talking over the picture. What we also saw was that they often use a presenter to go on a journey to investigate a certain topic.

We liked the idea of having a presenter to investigate whether our generation are numb or not instead of just-just having a narrator. The style we ended up wanting to go for is very Michael Moore/ Louis Theroux like in the sense that he goes right into the investigation and takes us on a journey to investigate. The presenter won't be pretending to be any expert, he'll just be going on a journey like a normal person with the knowledge that he already has, but having the guts to ask the questions that he wants to be answered and doing his research as he goes.




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Apr 10, 2017

2nd AC on "Backbone"

A couple of weeks ago I helped out on Alexander Barkers shoot as a 2nd AC for his final project “Backbone”. I've been working as 2nd AC a couple of times before, on music videos and short films, and It's something I enjoy doing. 

The set, story and the crew were great to work with and I got some idea of both locations and crew members to contact for future projects. (I also learned that you can hire a truck for only 200£) 

On this production I was asked to write a Camera log which would make the editing easier. I had never written a camera log before so I fund it quite stressful in the beginning since I had to keep track of which lens was used for each shot, the aperture, filter, the framing and movements and of course the scene, slate and take. 

I’m happy that I’ve learned to do it since it would be really usefull to have for the edit since you mark which of the takes are good and write down why the bad takes are bad. 
It’s definitely something I’ll use in my projects later. 

Apr 7, 2017

Documentary, Script & Meeting with the presenter

Today we had our second script feedback from Helen. We had a full script to show for the entire 10 minutes, but still hadn’t been able to decide on all the lines for the presenter. Helen seemed a lot happier with the beginning now, but asked us to find ways to link the documentary more together. 


In the session we listed up everyone we’re planning to talk to and realised it would be approximately 18 people:
5, VOX in London
3, Holocaust survivors
1, Social media expert
2, Imperial War Museum 
1, The Jewish Museum
1, ‘Yolocaust’ creator
5, VOX at the Memorial 

Since the documentary is only suppoused to be 10 minutes Helen advised us to get rid of the VOX in London and talk to only 1 person at the Imperial War Museum. After the meeting we sat down as a group to discuss and decided we’d cancel the VOX, but still go with 2 people at the War Museum. The reason why we decided to still have 2 people at the Imperial War Museum is because we are thinking of making a 20 minutes version of the documentary so we can send it to more film festivals. We have already arranged with the people at the museum to talk to two of them and talking to one instead of two won’t save us for that much extra time in the long run compared to the VOX in London where we would have to set off at least 5 hours to travel, rig and film. 

Script:

After the group meeting we had a meeting over Skype with our presenter Kamran to get to know him a bit better and to talk about our plans and vision and to listen to his thoughts and his ideas about the documentary. Everyone were really pleased after the meeting with the meeting as he’s a lovely person and is really passionate about the subject and keen to make this documentary as best as possible. 

Documentary - Research, are we numb?

Because we are doing a project on whether or not our generation's is numb to the Holocaust where we're looking at the selfie culture we decided to do some research to see if there is enough material out there for us to be able to make the documentary and look up some stories of disrespectful acts that has been done.

I had was pretty sure when talking about the idea in the beginning that we would have enough material and that it was something we could tell a story about, but the amount we found after a quick search was shocking. After a quick search on "selfies in Auschwitz" we found the images below. The search took less than 5 seconds. The amount of selfies we found on Facebook, Instagram and Twitter taken at the Holocaust memorial with hashtags such as "searching for Jews", "Mind the gap" etc was more or less endless.



We also did a quick search on "disrespectful selfies" on twitter where we found selfies showing other people's car accident, selfies at different memorials, mocking homeless people etc. We also found articles where people had landed in trouble after taking selfie with dead people or where themselves had died as a result of not being careful when taking selfie at a dangerous place.

We also read up on articles on the selfie culture to get a better understanding of it as a whole. The statistics we found on the number of selfies being taken and uploaded were very interesting. According to an article called "I, narcissist - vanity, social media, and the human condition" more than 80 million photographs uploaded to Instagram every day, more than 3,5 billion "likes", and 1.4 billion people (20% of the world's population) publishing details of their lives on Facebook. The article also asks the question whether social media is turning people into publicity-hungry narcissists.

Another thing we looked at was disrespect towards the second world war, focusing on the Holocaust and the concentration camps. This time we weren't focusing so much on the selfies, but more on disrespectful acts. What we found was stories of people steeling the Auschwitz sign, shoes being stolen from another camp and of course the "Yolocaust" project.

The Auschwitz sign "Arbeit Macht Frei" was stolen in 2009. 5 men had gone to the camp and cut the sign into 3 pieces. After a long search the Polish police found the sign in the back garden outside one of the thieves' house.
Another case of stealing from Auschwitz happened in 2015 where 2 British Secondary School students decided to steal some artefacts from the camp as "souvenirs" during a school trip to the camp. They managed to take some pieces of a broken glass, spoons and buttons from clothes. The museum discovered this and the boys were arrested until they apologised and gave back the items.

In 2014 shoes were stolen from another death camp called "Majdanek". The culprit behind the stealing cut into the metal display case at the camp, displaying 56 000 shoes, and stole 6 pairs of adult shoes and 2 pairs of children's shoes. An article by BBC also showed a story about victim's ashes and cap being stolen.

The final story we found was the "Yolocaust" project, done by Shahak Shapira, which was the main motivation and inspiration for our whole documentary.



After looking at all these we were certain that there is a story to make and we were also happy to see that no matter where we looked we couldn't seem to find anyone that had covered this before us, which only made us more set on making this documentary.

Apr 5, 2017

Documentary - Project update

Presenter
A couple of weeks ago our chosen presenter dropped out because of a paid acting jobb that crashed with our shoot. We then put up an advert on Casting Call Pro to see if we could find someone else. The first day the advert was up we got 6 applicants and in the end when we had to decide who to choose we had 16. We got back to 3 of the applicants (2 guys and 1 girl) asking them to make a short self tape showing how they would like to open the documentary.
All of the three applicants made a self tape and sent it to us where 2 of them were very good. We ended up deciding on one of the guys, Kamran Vahabi, since he's studied under a big Holocaust historian and he's very keen on the project. He has also previous experience from being both behind and in front of the camera. 

Sponsorship/budget:
To save as much Money as possible I’ve been emailing hotels in Berlin to see if someone would be able to offer us a discount. After a lot of emailing I came across a hotel in the heart of Berlin named Hotel Big Mama who were interested in our project and offered us a room for free for the entire period when we’re filming. They also gave us filming permission to film the  interviews in the room where we’re staying and in the hotel lobby. 

I’ve also been emailing a car rental company, Hertz, as they’ve sponsored me with free rental of car before. I have called them and got directed to a sales manager whom I’ve emailed, but yet to hear back from. 

Another thing we’ve done to save money is setting up a GoFundMe-page. This was Simon’s idea to see if anyone would be interested in funding the project. We all thought it was a great idea and decided that if someone gives £10 they get their name in the credits and if they give 20£ they get both their name in the credits and a copy of the finished project, any amount below or above that would of course be more than welcome as well. 
Simon set the page up and after 1 day we had 140£, which would be almost enough to cover the expenses of one person.

Risk assessments:
Since we’re filming in Berlin we have to fill out different risk assesments to what we’d normally do. At the moment we are filming in 6 different locations in Berlin, making it 13 differnet risk assemssments to fill out, including for the locations in England (7). 
We are currently working on the abroad risk assessments which I hope to hand in on Thursday. The risk assessments for the locations in England will be done over the weekend and handed in on Monday. 

Script:
On monday we had our first feedback session with Helen on the script. She liked where we were going, but had a couple of suggestions for the beginning which we were adviced to work on a bit more. We also need to decide on how to end the script as we still are strugling to find a good way to end it. 

Interviews:
The people that we’re going to film are have slowly come together and we’ve gotten confirmation from all of them now.

England:
George has managed to get a hold of a group of 3 Holocaust survivors who we’ll be filming. 
Gavin has been in contact with the Imperial War Museum and landed a deal where we’ll be interviewing the Director and a Tour guide. We’ve also gotten permission to film in the exhibition. 
I’ve been in contact with a lady named Jodie Cook, UK’s leading expert in social media, who got me in contact with a man named David who’s an expert on war studies and social media. He's verry interested in talking to us about the Selfie culture.   

Berlin:
We still have Shahak Shapira, the creator of ‘Yolocaust’ on board on the project. 
I’ve also gotten in contact with the Jewish museum in Berlin where the Programme Director will be talking with us. 
These will be the only two sit-down interviews we’re doing in Berlin. Other than those we’ll also do VOX at the Memorial where we hope to talk to someone who are taking selfies. 

Locations:
London - confirmed:
- Imperial War Museum, office and in the exebition - Confirmation on email. 
- At the office of the social media guy - Confirmation on email. 
- Holocaust survivors, office - Confirmation on Email. 
- Stansferd airport - Confirmation on phone.  

No permission needed:
- London streets - Since we’ll be filming everything handheld, using a shoulder rig, we won’t need any filming permission. 

Berlin - confirmed:
- Holocaust Memorial - Confirmation on email. 
- Hotel Big Mama - Confirmation sent on email.
- The Jewish Museum - Confirmation sent on email. 

Waiting for confirmation:
- The airport in Berlin 

No perission needed:
- Berlin city - No permission needed since we’re going to film handheld.
- Inside car - No need for filming permission 

Other things that has to be done:
-Contact the foreign office for travel advice, print & sim.
-Find out emergency procedures for hospitals etc. 
-Police-, fire- and ambulance number. 

-Contact The local Film Office.

Apr 1, 2017

Side Project - 'The NHS CRISIS'

Another side project I helped out on was a documentary reality project for a first year photography student at UCA. For the project he was asked to produce a body of work that showed a contemporary approach to documentary photography. The task was to make a documentary photo-series that told a story, either of a specific group, an individual, or a place etc.

We ended up going to London where we stumbled upon a protest about potential cuts to the NHS. We decided to make this our story and focus both on individuals and the protest as a whole.  The stills photos were shot on a Mamiya RZ 67 Pro Camera (120, film camera) and put together with video clips shot on a canon 70D, 24-70mm f/2.8L II USM to create a short film from the protest to better tell the story.

This is the final film:
The NHS CRISIS from Morgan Ferriday on Vimeo.

Link to the photographers university blogg - https://morganferriday.wordpress.com